I can provide the following high-end professional standard sound equipment at a far more competitive rate than any commercial rental houses. Anything that you require which is not listed on this page can either be purchased especially for your production or else hired in from a film sound rental company.
Audio monitoring for director, boom op or script supervisor.
£9 per day or £27 per week (1 currently available)
High-end industry standard digital hybrid wireless mic kit with diversity receivers for clearer reception, low noise and good dynamic range.
£19 per day or £57 per week (2 currently available)
World-class preamps, analogue circuitry with smooth adjustable limiters, rock solid timecode, can record up to 12 separate channels to CF and SD cards simultaneously in addition to a stereo mix.
£50 per day or £150 per week
One of the highest quality shotgun mics in the industry with optional integrated noise cancellation technology designed to reduce off-axis background sound. This microphone has two discrete outputs so you can capture the full natural sound and the DSP (noise cancellation) sound simultaneously. Requires AES42 preamp for direct input (included with the SOUND DEVICES 664 MIXER/RECORDER) or else there is a digital/analogue converter available for standard mixers.
Comes with full Rycote Cyclone windjammer kit.
£25 per day or £75 per week
SCHOEPS CMC6/MK41 HYPERCARDIOID CONDENSER MIC
Smooth and natural reproduction of voices and musical instruments, very classy sound, directional with an uncoloured off-axis response. Studio quality. Suitable for interior dialogue recording.
(Unsuitable for damp or humid conditions.)
£20 per day or £60 per week
SENNHEISER MKH50 HYPERCARDIOID CONDENSER MIC
A superb and well-respected drama mic especially good for interior dialogue and voiceovers, renowned for its exquisite detail, rich sound and punchy sweet spot.
£10 per day or £30 per week.
ZOOM H6 HANDY RECORDER
4 mic inputs with phantom power for external mics and additional plug-on XY and MS microphones for capturing ambient stereo sound.
£16 per day or £48 per week.
This small, matchbox-sized unit will supply frame accurate longitudinal timecode for up to 24 hours to any camera with a timecode input, and can also utilise the audio inputs of DSLR cameras to record time code and guide track sound.
£8 per day or £24 per week
Sensitive and detailed stereo microphone useful for recording ambient sound or for capturing complex spatial movements within wide shots.
£9 per day or £27 per week.